This album was recorded in December 1962, mastered, given a catalog number, and a cover that even appeared on inner sleeves of other Blue Note albums. But for reasons unknown, this recording which Hubbard later proclaimed one of his favorites sat in the can for another 13 years!. This has to be one of the best Hubbard albums. It swings, it cooks, and there is not a dull moment. The group is totally cohesive, pushing and supporting each other, with great solos, especially from Wayne and Freddie. Philly Joe's drumming is amazing: constantly pushing, loads of intelligent syncopation, and yet always playing with the tune and the rest of the band. At one point I hear him doing what sounds like fast hi-hat triplets, but must be a combination of a hi-hat hit close and brush completion of the triplet. Very tasty, and a must for drummers, but this is not a drum album--it's a great session from players who all listen to each other and are really swinging. I can't imagine why this was left in the can for so long. Nice range of material too.
1. Philly Mignon (5:28)
2. Father and Song (6:34)
3. Body And Soul (6:26)
4. Nostrans And Fulton (7:07)
5. Full Moon And Empty Arms (5:25)
6. Assunta (7:07)
Freddie Hubbard: trumpet
Wayne Shorter: tenor saxophone
Cedar Walton: piano
Reggie Workman: bass
Philly Joe Jones: drums
