viernes, 13 de mayo de 2011

Planeta Imaginario, Optical Delusions (2011)



As long-time fans of the 'Canterbury School' style of jazz/rock, a very appealing, very English, sometimes slightly whimsical blend of electric jazz with complex rock have sadly learned, this style and sound is rarely invoked nowadays. Planeta Imaginario are a creative and extraordinary  six piece Spanish jazz/rock band that take some of the best influences from Canterbury style music and blend it with an original, very Mediterranean feel for a end result that is strongly their own but that is also redolent of 40 years of creative work in bringing jazz and rock together.

To get an idea of what their third album, Optical Delusions, has to offer, think of a great rhythm section of keyboards (Hammond organ, Fender Rhodes piano, acoustic piano, synths), electric bass and drums, influenced by creative rock bands like The Muffins, Hatfield, Caravan, National Health. Be sure to make note of the fact that the keyboardist is a excellent writer and arranger. Now add three jazz musicians on trombone, trumpet and alto, soprano and baritone saxophones, as well as guests on additional saxes, flute and French horn. Give all the musicians great tunes to play and don't forget to throw in a little dollop of weirdness to keep everything just a little bit off the (well) beaten track. This scenario is what you have here.

I would not have expected that the best current exponents of that great Canterbury sound would be a group of musicians from Barcelona, the heart of Spain's Catalan region, but expectations are made to be destroyed and Optical Delusions will utterly destroy you!

"While I was impressed by Planeta Imaginaro’s 2008 release ‘Biomasa’, I am absolutely astonished by ‘Optical Delusions’. There is not point in trying to describe individual pieces (there are 13 of them) as the whole is very much more than the sum of the parts as the music flows like a calming wave on a sunny day. Such linearity and conductivity of ideas is rare in music. Many comparisons are made in the press release and much praise is, rightly, lavished upon this ridiculously gifted band from Barcelona. There are Canterbury influences for sure (I would add Egg to the list with a tip of the hat to Soft Machine’s Mike Ratledge). The music has brass (saxes, trumpet, French horn), some flute, fretless bass, drums and percussion and some wonderful sonic alchemy is teased by composer/ arranger Marc Capel from his Yahama CS60 and Jen SX 1000 synths (piano, Hammond L100 and Fender Rhodes are also used). ‘Optical Delusions’ is, at every level, an outstandingly articulate and creative work of jazz, pure music that, as John Kelman and others have pointed out, feels completely natural to the listener." – Phil Jackson/Acid Dragon

1- Acciò Col-lectiva (10:16) 
2- El jardì de las vaques alegres (9:40) 
3- Xarramandusca (11:36) 
4- Bona sort, amic meu (1:45) 
-----------------------------------
Preludis Clinics del Home-gos 
5- Angioma (3:50) 
6- Bisturí (0:45) 
7- Hemangioma (3:09) 
-----------------------------------
8- Introducció de Llepavoreres (2:37) 
9- Llevaporeres (8:00) 
-----------------------------------
Elements imperfectes sobre quartz vermell 
10- Element de la puresa imperfecte (4:15) 
11- Element del art pur i imperfect (6:21) 
12- Element de la persuasió imperfecte (2:40) 
-----------------------------------
13- El mar, i llavors sortí el sol. i el reflexe (13:18) 


Marc Capel: Hammond L100 organ, Fender Rhodes electric piano, Challen piano, Yamaha CS80 & Jen SX1000 synthesizers
Dimitiris Bikos: Fretless bass
Natsuko Sugao: Trumpet 
The-Hien Trinh: Trombone
Alfonso Muñoz: Alto, soprano & baritone saxes, percussion
Vasco Trilla Gomes dos Santos: Drums, percussion  
Sisu Corominas: Tenor & alto saxes 

Pablo Selnik: Flute (9-13)
Guillem Serra Llorenc: French horn (1, 2, 5-7)
Liba Villavecchia: Tenor sax solos (1, 2)


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sábado, 7 de mayo de 2011

Kermit Ruffins, Happy Talk (2010)



Happy Talk is Kermit Ruffins' newest release following an unforgettable performance as himself in the first season of 'Tremé,' HBO's acclaimed new drama series. Lifted into the national spotlight by the hit television show, Kermit keeps the momentum swinging with his first big band album.

1. Panama 5:16
2. Hey Look Me Over 3:41
3. Ain't That Good News 3:34
4. La Vie En Rose 3:54
5. Happy Talk 5:19
6. If I Only Had A Brain 9:07
7. High Hopes 4:26
8. I Got A Treme' Woman 5:45
9. Shine 2:56
10. Sugar 7:46
11. More Today Than Yesterday 3:59
12. New Orleans (My Home Town) 6:37

David Pulphus: Bass
Mike Jenner: Sax (Tenor)
Kristiaan Lewis: Vocals (Background)
Micahel White: Clarinet
Daryll McCoy: Guitar, Soloist
Ray Moore: Sax (Baritone)
Eric Traub: Sax (Tenor), Soloist
Mark Mullins: Trombone, Soloist
Jimmy Weber: Trumpet
Percy Williams: Percussion
Matt Lemmler: Piano, Arranger
Neshia Ruffins: Vocals (Background)
Herlin Riley: Drums
Kermit Ruffins: Trumpet, Vocals, Composer
Bobby Campo: Trumpet
Corey Henry: Trombone


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Corleone, Wei-Wu-Wei (2005)



Este es un proyecto que nos presenta Roy Paci pero esta vez no se acompaña de su banda Aretuska sino con este proyecto llamado Corleone, es una orquesta al estilo de Flath Earth Society, donde caben pinceladas de jazz pero sobretodo música de soundtrack.

La banda está compuesta por Carlo A. Dato al saxo y clarinete, Sebastiano Bell´Arte a la corneta, G. Giovanini (miembro de Aretuska) al trombón, Luigi Mosso al bajo, Mirko Sabatini a la batería, Vincenzo Vasi a los efectos, Roy Paci a la trompeta y voces y con Mike Patton tema Tutto Diventerà Rosso. (http://www.lastfm.es/music/Corleone/Wei+Wu+Wei)

1 Come Si Chiama
Voice [Spoken Intro] - Carlo Lucarelli
2 Skit#1 "Emigrant Song"
Composed By - Loozoo
3 Doverosi Sballi
4 Skit#2 "Clarimachine"
Composed By - Wang Inc.
5 Come Live Your Life With Me
6 Skit#3 "_"
Composed By - Marco Messina
7 Meglio Un Bombardino Oggi, Che Bombardino Domani
Performer [Gnawa], Voice, Percussion [Tbola] - Mohamed El Badaui
8 Skit#4 "Ghost Ship"
Composed By - Populous
9 'U Riavulicchiu E I Ciancianedi
Accordion - Antonello Salis
10 Skit#5 "Asterisco"
Composed By - a034
11 Armoniaca
Performer [Tip Tap Dancer] - Andrea Mugnai
12 Skit#6 "Pattern 21"
Composed By - Los , Y:dk
13 Tutto Diventerà Rosso
Bass [Acoustic] - Luc Ex
Voice - Mike Patton
14 Skit#7 "T77"
Composed By - Timet
15 Tromba L'oEil
Bass [Acoustic] - Luc Ex

Carlo Actis Dato: Clarinet [Bass], Saxophone [Baritone]
Luigi Lullo Mosso: Double Bass, Voice
Mirko Sabatini: Drums
Sebastiano Bell'Arte: French Horn
Vincenzo Vasi: Theremin, Bass [Electric], Vibraphone, Electronics [Live & Toys], Voice
Giorgio Giovannini: Trombone
Roy Paci: Trumpet, Flugelhorn, Voice, Leader


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Joe Lovano Us Five, Bird Songs (2011)



Bird Songs is a collection of 11 tracks centered around the music of Charlie Parker. This is, however, no mere homage. Instead. it is a reinvestigation, examination and developmental exploration of not just the music Parker played, but also of the construction of the elements assembled by Bird in crafting these timeless classics.

Moments of incredible power balanced by the utmost in beauty abound throughout the disc, tied together by an inquisitive spirit of rediscovery. These are tunes every jazz musician must learn as they grow and develop. To re-explore them at a high level and to find ways of invigorating into the 21st century seems logical, so why has it been done so rarely?

Highlights include a powerfully Elvin Jones-ish out chorus at the end of “Moose The Mooche.” Lovano’s tenor doesn’t guide Brown and Mela, he pushes them through force of character and tumbrel strength. The flipside is a delicate elucidation on “Loverman.” Here Lovano’s dancing G mezzo soprano saxophone lines are balanced by the totally grounded yet outwardly bound comping of Weidman. The polyrhythms of the percussion are kept in focus by Spalding’s crafty lines. You almost don’t notice her, until her delightfully playful solo, because of the superb craftsmanship of her abilities. If there is a single member who keeps everyone “on the page,” even when they go off it, it is her way of finding the perfect contrapuntal foil to Lovano’s questing nature even when the drummers find themselves locked into rolling thunder punctuations that remind every one of jazz’s communicative nature.

Overall, this is music that not only moves the first time listener, but the jazz aficionado as well. You don’t have to look for the subtle interplay between the drummers and Lovano’s single lines in the trio rendition of “Ko Ko” to appreciate how beautiful or rich the music is. But for those who do wish to explore further levels of musical evolution, hold on tight, because this is a wonderfully exciting wild ride.

01. Passport
02. Donna Lee
03. Barbados
04. Moose The Mooche
05. Lover Man
06. Birdyard
07. Ko Ko
08. Blues Collage
09. Dexterity
10. Dewey Square
11. Yardbird Suite

Joe Lovano: Aulochrome, G mezzo soprano, straight alto and tenor saxophones
James Weidman: Piano
Esperanza Spalding: Bass 
Otis Brown III: Drums
Francisco Mela: Drums


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viernes, 6 de mayo de 2011

Solaris, Andrei Tarkovski (1972)



TÍTULO ORIGINAL Solyaris (Solaris)
AÑO 1972
DURACIÓN 165 min.
PAÍS URSS
DIRECTOR Andrei Tarkovsky
GUIÓN Friedrich Gorenstein & Andrei Tarkovsky (Novela: Stanislaw Lem)
MÚSICA Eduard Nikolay Artemiev (AKA Edward Artemyev)
FOTOGRAFÍA Vadim Yusov (AKA Vadim Iusov)
REPARTO Donatas Banionis, Natalya Bondarchuk, Yuri Jarvet, Vladislav Dvorzhetsky, Anatoly Solonitsyn
PRODUCTORA Mosfilm Studios
PREMIOS 1972: Festival de Cannes: Gran Premio del Jurado, Premio FIPRESCI. Nominada a Palma de Oro
GÉNERO Ciencia ficción. Intriga | Drama psicológico. Aventura espacial


SINOPSIS Un científico es enviado a la estación espacial de un remoto planeta cubierto de agua para desvelar la misteriosa muerte de un doctor ocurrida en la estación... Adaptación del clásico de ciencia-ficción del escritor polaco Stanislaw Lem. (FILMAFFINITY)


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After Such Pleasures | Julio Cortázar



After Such Pleasures

Esta noche, buscando tu boca
en otra boca
casi creyéndolo, porque así de
ciego es este río
que me tira en mujer y me
sumerge entre sus párpados,
qué tristeza es nadar al fin hacia la
orilla del sopor
sabiendo que el sopor es ese
esclavo innoble
que acepta las monedas falsas,
las circula sonriendo.

Olvidada pureza, cómo quisiera
rescatar
ese dolor de Buenos Aires, esa
espera sin pausas ni esperanza.

Solo en mi casa abierta sobre el
puerto
otra vez empezar a quererte,
otra vez encontrarte en el café de
la mañana
sin que tanta cosa irrenunciable
hubiera sucedido.

Y no tener que acomodarme de este
olvido que sube
para nada, para borrar del
pizarrón tus muñequitos
y no dejarme más que una
ventana sin estrellas.

Julio Cortázar (1914-1984)

Andrei Rublev, Andrei Tarkovski (1966)



Título Original: Andrei Rublev
Año: 1966
Director: Andrei Tarkovsky
Duración: 185 min
Guión: Andrei Konchalovsky & Andrei Tarkovsky
Música: Vyacheslav Ovchinnikov
Fotografía: Vadim Yusov
Reparto: Anatoly Solonitsyn, Ivan Lapikov, Nikolai Grinko, Nikolai Sergeyev, Irma Rausch, Nikolai Burlyayev
Género: Drama


Sinopsis: La vida del pintor ruso Andrei Rublev -Andrei Rubliov-, famoso por sus iconos, aparece en todas las listas de las mejores películas de la historia del cine. Un larguísimo biopic -182 minutos- le sirve a Tarkovsky para hacer un minucioso retrato de la vida social, política y artística en Rusia a principios del siglo XV. (FILMAFFINITY)

Crítica: "La única película que me interesa del sacralizado Tarkovski" (Carlos Boyero)


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jueves, 5 de mayo de 2011

John Zorn, Nova Express (2011)



Following up on seeds first planted in the depths of the Interzone conspiracy, Nova Express combines the quirky atonal lyricism of Zorn's classical music with the cut up techniques of Naked City and the intimate virtuosity of the Masada songbook. Scored for a modern jazz quartet of vibes, piano, bass and drums, these episodic, dynamic and moody compositions feature some of Zorn's strongest writing. Performed by an all-star group of four downtown masters, this is an exciting new sound from the world of John Zorn. Modern chamber music filled with beautiful details and dramatic passions composed and conducted by our East Village musical alchemist.

1. Chemical Garden
2. Port of Saints
3. Rain Flowers
4. The Outer Half
5. Dead Fingers Talk
6. The Ticket that Exploded
7. Blue Veil
8. IC 2118
9. Lost Words
10. Between Two Worlds

Joey Baron: Drums 
Trevor Dunn: Bass 
John Medeski: Piano 
Kenny Wollesen: Vibes 


Okkyung Lee, Noisy Love Songs (2011)



An important member of the downtown scene since 2000, Okkyung Lee has worked with Laurie Anderson, Evan Parker, Vijay Iyer, Thurston Moore, Butch Morris, Larry Ochs, Christian Marclay and John Zorn, among others. Her new project for Tzadik features several of her closest collaborators in intimate chamber pieces that combine written music with noise improvisation. Evocative, intense and passionate music from this cutting edge master of modern cello!

1. One Hundred Years Old Rain (The Same River Twice)
2. Upon A Fallen Tree
3. Kung
4. Saeya Saeya
5. White Night
6. Danji
7. Roundabout
8. Bodies
9. Silenced Answer
10. Steely Morning
11. Yellow River

Okkyung Lee: Cello 
Ikue Mori: Electronics 
Craig Taborn: Piano 
Satoshi Takeishi: Percussion, Electronics 
Cornelius Dufallo: Violin 
Peter Evans: Trumpet 
John Hollenbeck: Percussion 
Christopher Tordini: Bass 


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