martes, 27 de diciembre de 2011

MuteMath, Odd Soul (2011)



As the wise man Albert Einstein once said: “Insanity: doing the same thing over and over again and expecting different results.” you could argue that there aren’t many sane bands around if you were to apply this quote to the slew of unoriginal bands out there. The same bands that are using the same formula’s, same chord structures and same cliche lyrics. Odd Soul Mutemath’s new release is in a league of it’s own, it’s original, it’s refreshing and it rocks (literally).
I have never heard Mutemath release the same thing twice, in-fact they’re one of those rare underrated bands constantly evolving their sound without a care in the world for what critics and fans think of their new-found direction. It takes some balls to veer off into a new direction and release something completely different than anything else you’ve ever released, the kind of balls most bands don’t have. This is without-a-doubt the most adventurous and creative sounding release Mutemath have ever put out.

Right from the get-go, Odd Soul captures your attention with the title track which has a very fuzzy blues rock sounding feel to it that sounds heavily reminiscent of The Black Keys with a little White Stripes influence thrown in. The second track on the album “Prytania” just so happens to be one of my most favourite tracks on the album (I hate to keep making comparisons) but the start of the song sort of reminded me of a band called The Sword with the psychedelic but subtle solo guitar parts in the background which has a 70′s rock feel to it, in-fact the whole album has a 70′s rock feel too it in one way or another.

The first single from the album “Blood Pressure” is a jive filled, blues driven song that has a catchy chorus and amazing drum work from drummer of the band Darren King. In certain parts it feels like you’re listening to a song written by Wolfmother complete with semi-high vocals from vocalist Paul Meany who takes his vocal range and capabilities to new heights on this album.

Even though Mutemath have ventured into psychedelic rock territory joining the likes of bands like The Sword and The Black Keys, the core foundations of the band from Darren King’s above-average drumming to Paul Meany’s diverse vocal range are still there that fans loved about their previous releases. This album is the exact opposite of what everyone else is releasing at the moment and I love it.

The masterpiece, to use an analogy the Mona Lisa of Odd Soul is without-a-doubt the track “Quarantine” which carries just over 7 minutes in track time. Perfectly crafted fuzzy guitar riffs, psychedelically distorted bass lines and tasteful electronic mix-ins, with the track eventually slowing down in pace to let Paul Meany do his thing and show off his new-found vocal capabilities. Once again Darren King blows our minds and delivers perfect drum-work during the outro of this track.
Odd Soul is definitely going to lose the band a few fans and in the process gain twice as many as they previously had. This album will garner critics proclaiming it’s nothing more than a heavily influenced Black Keys album, upon the first full listen of this album it’s easy to see Odd Soul is anything but a work of art. Every finite detail from each instrument, to the production and mastering sounds authentic and perfect.

Forget the Mutemath you thought you knew, this is Mutemath 2.0, a band by the sounds of it making the kind of music they’ve most likely been wanting to create for a long time now. (http://killhipsters.com/2011/10/mutemath-odd-soul-album-review/)

1. Odd Soul
2. Prytania
3. Blood Pressure
4. Heads Up
5. All Or Nothing
6. Sunray
7. Allies
8. Cavalries
9. Walking Paranoia
10. One More
11. Equals
12. Quarantine
13. In No Time



info |
http://mutemath.com/
http://www.myspace.com/mutemath

domingo, 25 de diciembre de 2011

Oz Noy, Twisted Blues Volume 1 (2011)



New York based plectorist extraordinaire Oz Noy makes his Abstract Logix debut with "Twisted Blues", his most eclectic album to date that displays his signature guitar sounds as well as for the first time showcases his profound love of blues. The guitar prowess featured on Twisted Blues Vol. 1 is obviously top notch but some tracks, like the eight-plus-minute “Two Centers,” feel a little long. For fans of instrumental jazz, blues, or rock, Oz Noy probably has something for them.

01. Twisted Blues [05:48]
02. Oh Really? [05:35]
03. You Are The State [07:03]
04. Whole Tone Blues [05:53]
05. Cissy Strut [05:46]
06. Light Blue [04:22]
07. Steroids [05:43]
08. Two Centers [08:06]
09. Trinkle Tinkle [04:29]

Oz Noy: Guitar (1-9), loops (5, 8 )
Vinnie Colaiuta: Drums (1, 2, 7, 8 )
Will Lee: Bass (1, 2, 5, 7, 8 ), synthesizer-bass (1)
Jerry Z.: Organ (1, 2, 7, 8 )
John Medeski: Organ (1, 5)
Allen Toussaint: Piano (2)
Eric Johnson: Guitar (3)
Anton Fig: Drums (3, 5)
Roscoe Beck: Bass (3, 4, 6, 9)
Reese Wynams: Organ (3, 4, 6)
Ralph MacDonald: Tamburin (5)
Chris Layton: Drums (4, 6, 9)



info |
http://oznoy.com/
http://www.abstractlogix.com/xcart/product.php?productid=25295
http://exystence.net/blog/2011/12/25/oz-noy-twisted-blues-volume-1-2011-2/

lunes, 19 de diciembre de 2011

Marius Neset, Golden Xplosion! (2011)



Marius Neset is just 25 years old, yet as a musician and composer he brings an astonishing maturity to all his work. He was born in Bergen, Norway but moved to Copenhagen in 2003 to study at the Rhythmic Music Conservatory. It was there that he met and studied with British keyboard virtuoso and composer Django Bates. Bates was quick to recognize the young man’s talents and Neset has been a member of Bates’ stoRMChaser big band since 2005. More recently, he has joined his former teacher’s small group Human Chain and played with the group to great acclaim at Ronnie Scott’s early in 2010.

Michael Brecker was Neset’s first influence on saxophone but he also learned a lot from Jeff Harrington, when he spent a semester at Berklee College of Music in 2002. To these early influences, Neset has more recently added those of Wayne Shorter and the tenor sax giant Joe Henderson. Neset is a very strong rhythm player and perhaps that is his greatest debt to Henderson.

As a composer, Neset’s influences are similarly diverse – Django Bates (with whom he studied composition), Pat Metheny, Frank Zappa and also Bach, Stravinsky and Shostakovich. Yet already, Neset has absorbed these influences and found his own musical language for expressing their virtues.

A multi-award winner, since graduating from RMC, Marius Neset has pursued his musical goals through different bands. His main project since 2005 has been JazzKamikaze. With its eclectic mix of jazz, rock, electronica and classical music, the group has had great international success playing concerts in Europe, Asia, both North and South America and Africa. People Are Machines provides another outlet with its emphasis on a diverse range of rhythmical concepts.
Marius Neset released Suite for the Seven Mountains, his first solo album in 2008 to great reviews throughout Scandinavia. EDITION RECORDS is proud to release his second, Golden Xplosion, and even greater things second time around.

1. Introducing: Golden Xplosion
2. Golden Xplosion
3. City On Fire
4. Sane
5. Old Poison (XL)
6. Shame Us
7. Saxophone Intermezzo
8. The Real YSJ
9. Saxophone Intermezzo II
10. Angel Of The North
11. Epilogue

Marius Neset: Saxophon
Django Bates: Piano, keyboards
Jasper Høiby: Double bass
Anton Eger: Drums



info |
http://mariusneset.com/
http://www.myspace.com/mariusneset
http://www.editionrecords.com/artists/marius-neset/

domingo, 11 de diciembre de 2011

Tom Harrell, The Time of the Sun (2011)



Trumpeter Tom Harrell's expansive and funky 2011 effort, The Time of the Sun, is a creatively inspired, somewhat experimental work that finds the journeyman post-bopper delivering some of the best work of his career. Once again featuring the same ensemble he's used since 2007's Light On, the album includes tenor saxophonist Wayne Escoffery, pianist/Fender Rhodes player Danny Grissett, bassist Ugonna Okegwo, and drummer Johnathan Blake. This is a seasoned ensemble of talented, like-minded musicians who've been guided for several years by Harrell's ever-searching trumpet and compositional voice. Beginning with recordings of solar oscillations -- harmonies produced by the magnetic field in the outer atmosphere of the sun -- the album is an engaging, cerebral, yet dancey affair that showcases Harrell's longstanding knack for sinewy improvisational lines and memorable, thoughtful harmonic compositions. While not fusion, the music here does bring to mind the '70s works of trumpeter Eddie Henderson, like Heritage and Sunburst. The title track and the propulsively funky "Ridin'" find Harrell laying down knotty, serpentine lines against Grissett's skronky Rhodes hits and Blake's roiling drum beats. Few jazz musicians in their mid- and late career continue the kind of all-original approach that Harrell has on his handful of Highnote albums, and The Time of the Sun is easily the best example of this. (allmusic.com)

01. The Time of the Sun
02. Estuary
03. Ridin'
04. The Open Door
05. Dream Text
06. Modern Life
07. River Samba
08. Cactus
09. Otra

Tom Harrell: Trumpet, flugelhorn
Wayne Escoffery: Tenor saxophone
Danny Grissett: Piano, Fender Rhodes
Ugonna Okegwo: Bass
Johnathan Blake: Drums



info |
http://www.tomharrell.com/
http://www.jazzdepot.com/t_harrell/7222.html
http://www.allaboutjazz.com/php/article.php?id=40144
http://www.distritojazz.es/2011/09/tom-harrell-o-de-la-sabiduria-de-la-edad-en-the-time-of-the-sun/